I don’t typically stage a photograph, but this one, I couldn’t resist. For the past two weeks, I was aboard the MS Paul Gauguin sailing from Tahiti to Fiji – my role was to provide lectures on photography and creativity while at sea, and while anhcored offshore, to lead photo expeditions through some of the most photogenic land on earth.
When I wasn’t working, I was relaxing with Helen, Jordan and Tamar. In short, it was a fabulous trip. On our third day of the cruise, we were anchored off the coast of the Polynesian island Tahaa (where much of our vanilla comes from) – from there we caught a tender to a small motu (or atoll) where we relaxed, snorkeled, kayaked and yes, took the occasional photograph.
I didn’t yet know the crew of the ship well, but I had taken notice of one of the singers, or Gauguins as they’re called on the ship. His name, I would learn, is Mihimana – and his long hair, fit shape and striking tattoos combined to create the perfect image of a stylized Tahitian man. When I saw Mihimana at the motu, I knew I had to photograph him.
Before I left the U.S., the cruise line asked me to capture a few images for them that they could use in their marketing. I don’t know if they’ll like this shot (and yes, I have it in color for them) – but for me, when I saw him strumming his ukulele and singing to welcome guests arriving at the motu, I immediately imagined the possibilities for the cruise line.
I found Mihimana at lunchtime, introduced myself and asked if I could photograph him later in the afternoon. He readily agreed and also agreed to sign a release – something that’s required for images used in advertising and, as a result, something I typically don’t concern myself with.
At 3:30, with a comfortable afternoon sun, Mihimana and I walked across to the west side of the motu, away from the tourists on the beach and set ourselves to capture a wash of light coming from one side. I didn’t have the benefit of any additional fill lighting or reflectors, not to mention any assistants to help move light around. Instead it was just me, Mihimana, the sun, the water, and a relatively short amount of time to play and capture a few images.
Mihimana is a native Tahitian – back in Papeete, he and his brother are popular tattoo artists, the tattoo being a tradition that we in the west imported from Tahiti and what is now French Polynesia. In fact the tattoos adorning Mihimana were drawn by his brother. When he’s not on Papeete, Mihimana works on the MS Paul Guaguin greeting and entertaining tourists 7-days a week for up to four months at a time. He is, in short, a warm and friendly man with a ready and welcoming smile.
I positioned Mihimana in the water where it came up to just below his knees. I turned him into the sun and then asked him to turn his head slightly to face me. That’s why his body is filled with light while there’s just a bit of a shadow crossing his face. I started shooting, then asked him to fold his arms. That’s when I thought to crouch down low to the water to add drama to the way Mihimana filled the frame. And then, the most important request I had of him that afternoon – I asked him to stop smiling and instead to look angry – as if he were about to get into a fight. That’s when I captured this image.
I love so much about this image – from the perspective that has Maihimana looking over us as if a warrior, to his flowing pareo shoring up the bottom of the frame. And one more thing, this ten minutes at the beach has sparked my imagination and for the first time, I can imagine the artistic satisfaction of working with a crew, controlling the light and working with models. That’s not something I’ve ever imagined doing before. And while there’s no time to explore this today, perhaps one day…